Fantastic Fest 2008

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Action/Comedy/Drama/Feature/Featured
Brief Summary: Jean-Claude Van Damme portrays an aging action star whose career in Hollywood is all but washed up. Returning to his homeland in Brussels, he lands in the middle of a bank heist and may have to actually save the day. Full Description: In JCVD, Jean-Claude Van Damme portrays a washed-up, aging action star. His career is a joke, he loses all of even the meager straight-to-video roles to his nemesis Stephen Segal and he's in a custody battle for his daughter who is too embarrassed of her father to consider living with him. Returning to Brussels, he pops into a post office to send a money order to his divorce lawyer in Los Angeles only to find the facility held siege by robbers. The absurdity of the situation gradually escalates, and our action hero star must decide – cooperate or save the day in true hero fashion! In a word, this role choice for Jean Claude Van Damme is BOLD. He’s faced ninjas, wild animals, space aliens and multiple arenas of death, but in JCVD he’s confronted with the naked truth of his own career: z-grade roles, worldwide ridicule, drug addiction, bad haircuts and some truly inspired wacko TV interviews, many of which are replayed in the film. The wickedly crisp script realistically captures the comedy inherent in the day-to-day life of a superstar: autograph and picture hounds, mocking haters and delusional überfans. Through it all Jean Claude Van Damme delivers with a sly wit and assured demeanor that for much of the film, I forgot I was watching a work of fiction, but was lost in what surely had to be a Jean Claude Van Damme reality show. He understands the humor associated with his career, acknowledges it, pokes more than gentle fun at himself and even waxes philosophic on his past and his future. What emerges is a sophisticated, intelligent and wildly comedic performance. This is the stuff of true career renaissance. Forget about Pam Greer’s potential resurgence after Jackie Brown. After this performance, Jean Claude Van Damme deserves a shot at the best roles in Hollywood! I watched JCVD at this year’s Cannes Market and the excitement in the crowd was palpable. Market screenings are for the industry worker-bees, you can’t gauge an audience because they are either asleep from exhaustion or texting on multiple blackberries trying to seal the next deal. Not so with JCVD. The crowd laughed and cheered and actually stood to applaud at the end. And when the man himself popped up from a seat in the back of the theater, clearly proud of the chops he had just shown on screen, the audience went absolutely nuts. Van Damme? God Damn! This movie is AWESOME! Support this film, write about this film, and most importantly watch this film when it comes out in theaters. If for no other reason, I personally want to see more comedic drama out of, who woulda thunk it, one of the most underrated thespians working in cinema today! (Tim League) JCVD screenings are sponsored by Best Buy.
Feature/Featured/Guest in Attendance/Horror/Next Wave
Brief Summary The privatized Tokyo police force led by Audition‘s Eihi Shiina is authorized to execute judgment on the spot. They are threatened, however, by a breed of “engineers,” genetically modified super-villains who grow mutant weapons from their injuries and amputations. Full Description Given the amount of coverage that TOKYO GORE POLICE gets on Twitch, it is easy to forget that the film has not been released on DVD and has only screened a few times in the United States. TOKYO GORE POLICE deserves the attention its been getting because it is a great riff on films such as ROBOCOP but with a unique Japanese flavor. In a future version of Japan, a private company takes over policing functions throughout the country. A special squad known as the Tokyo Gore Police is tasked with handling a breed of mutants ("engineers") who can turn wounds into weapons. Ruka (played by Eihi Shiina) is the star of the squad. She is tormented by the assassination of her father, an officer who spoke out against the privatization of the police. Ruka eventually finds the assassin, and learns the secrets behind both her father's death and the police force to which she has devoted her life. This back story can easily be ignored as the attraction of TOKYO GORE POLICE lies in its over-the-top action and insane visual effects. Nishimura was not working with a big budget but the choices in set design and effects are very resourceful. The film throws everything at the screen, including blood spraying from dismembered torsos in slow-motion, exotic weapons sprouting from injured body parts, and bondage-garbed quadriplegics walking on swords. The ROBOCOP influence is apparent throughout, particularly in a series of tongue-in-cheek television ads for products that make it easier to commit suicide. Tak Sakaguchi, star of VERSUS and AZUMI, choreographed the fight sequences. (Rodney Perkins) Director Yoshihiro Nishimura will be in attendance to introduce the shows and answer questions after the screenings. We have also purchased special Japanese language karaoke tracks for Monday night... This screening is sponsored in part by Media Blasters.
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Chaos Reigns in Austin this Weekend!

Lars von Trier’s ANTICHRIST may be the most provocative and controversial film of the last 30 years. It is explicit, it is challenging, it is grotesque, it has been called offensive, misogynistic and dangerous…but it has also been called a masterpiece and perhaps the Danish auteur’s finest work.

Charlotte Gainsbourg (who won best Actress for the role at Cannes) and Willem Defoe star as an unnamed couple seeking comfort in their country home after the sudden death of their child. While in their forest retreat, as summed up by the unofficial slogan of Fantastic Fest ‘09, “chaos reigns.”

See this movie.

It opens at the Alamo Ritz this weekend. For those who can’t wait, we have added a midnight screening on Thursday, Nov 19. Tickets and info for all shows available here.

Praise for Antichrist:

“This is von Trier’s biggest accomplishment. He has created a world that is true to its own ghastly, shifting logic.” -Sukhdev Sandhu, Times [UK]

“Sure to shock, offend and astound in equal portions while proving hugely divisive over the nature of its content, ANTICHRIST is arguably the most visually striking of his career, certainly the most transgressive, and ample proof that cinema is still more than capable of shocking.” -Todd Brown, Twitch

“WHAT IS CERTAIN IS THAT SERIOUS FILM PEOPLE ON SEVERAL CONTINENTS WILL BE TALKING ABOUT VON TRIER’S LATEST AFFRONT, DEFENDING OR DERIDING IT, FINDING IT HARD TO IGNORE. SHORT OF A FLAT-OUT MASTERPIECE, WHAT MORE CAN MOVIES OFFER?” – Richard & Mary Corliss, Time Magazine

“A MUST SEE…SOME KIND OF MANIACAL MASTERWORK. SOME OF THE IMAGES CREATED BY VON TRIER CAN NEVER BE FORGOTTEN.” – Michael Phillips, Chicago Tribune

“I Don’t think I breathed for the last half – out of shock, out of stress, out of disbelief. This is to say that von Trier had us all.”  – Wesley Morris, The Boston Globe

“…I would be lying if I didn’t admit that this impossible movie kept me hooked from start to finish.”  – Manohla Dargis, The New York Times

“Whether this is a bad, good or great film is entirely beside the point. It is an audacious spit in the eye of society. It says we harbor an undreamed-of capacity for evil. It transforms a psychological treatment into torture undreamed of in the dungeons of history. Torturers might have been capable of such actions, but they would have lacked the imagination. Von Trier is not so much making a film about violence as making a film to inflict violence upon us, perhaps as a salutary experience…
ANTICHRIST is powerfully made film. The performances by Willem Dafoe and Charlotte Gainsbourg are heroic and fearless. Von Trier’s visual command is striking. And if you can think beyond what he shows to what he implies, its depths are frightening. IT IS A REAL FILM. Von Trier has reached me and shaken me.” – Roger Ebert ,Chicago Sun-Times

Fantastic Fest fav BRONSON opens in Austin!

bronson-blogNo, it’s not a movie about the late, great asskicker Charles Bronson.  It’s a movie about the notorious British inmate Michael Peterson, whose self-chosen alias Charles Bronson only skims the surface of how much ass he kicks.  This movie is the real deal and it took Fantastic Fest by storm.  And now it opens for a full theatrical run in Austin!  OK, it’s not at the Alamo, it’s at the Arbor cinema, but whatever, we don’t care.  This movie is too good not to hype.

Tom Hardy plays Peterson with so much vengeful humor, you can’t take your eyes off him.  So good, in fact, he’ll be stepping into Mel Gibson’s shoes as the new Mad Max in George Miller’s sequel FURY ROAD!

But Hardy’s not the only one to watch- best keep your eyes on director Nicolas Winding Refn too.  He creates in this film such a unique vision, so vaudevillian violent, we can’t wait to see what he serves up next.

Fantastic Fest programmer Blake Etheridge spoke with Refn recently and recorded a video ‘hello’ to the Fantastic Fest audience.  Check it out here! He couldn’t make it to the fest this year because he and his wife just had a new baby, but plan on seeing him at Fantastic Fests to come.

If you were lucky enough to catch BRONSON at Fantastic Fest, then tell your friends to go see it.  And you should go see it again.

When it reigns, it pours

antichrist-web

Two simple if nihilistic words uttered by one self-disemboweling fox in Lars von Trier’s ANTICHRIST have the cultural momentum to become THE catchphrase of the decade and, God willing, one hell of a self-fulfilling revelation.

Vulture, New York Magazine’s culture blog, picked up on the story, and once again our beloved Fantastic Fest and Mondo Tees have been inextricably tied to the phenomenon.

Read the whole article here.

CHAOS REIGNS!!

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