Merantau
Gareth Evans
2009
Categories:
Action, Drama, Feature
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Run time:
106 min.
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Indonesia
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Language:
Indonesian
Life is simple for a young man in rural Sumatra - Yuda's days spent in the fields tending the crops, his evenings training in the traditional martial art of silat. But the time comes for Yuda – as it does for every young man in this part of the world – when he must leave his comfortable life and undergo merantau, a traditional rite of passage in which youth must fend for themselves in the big city with no supports from home. And so Yuda must pack his bag and head off to Jakarta.
And Jakarta could not be more different – or more difficult – than the life he has left behind. The home Yuda was to stay in has been demolished, forcing him to squat in a nearby construction site. There is no work to be found. And when a young boy tries to steal Yuda's wallet he is plunged into a violent world of human trafficking where his martial arts skills are tested in a rapidly escalating spiral of violence. Once a proud exporter of martial arts films, Indonesia has been entirely absent from the world action stage for more than fifteen years and has not produced a significant action star since Barry Prima was in his prime twenty five years ago. That streak comes to a spectacular end with Merantau and star Iko Uwais. Uwais is a star in the making, a young man trained in silat since childhood who was driving truck for a telecom company when discovered by director Gareth Evans. He proves a natural as an actor and a hugely charismatic fighter, performing all of his own fights and all of his own stunts himself, often in jaw-dropping fashion. To the best of our knowledge Merantau is the world's first silat film. It certainly will not be the last. (Todd Brown) |
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About the film
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Cast & Crew
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Audience Buzz
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Featured Review
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3:47 AM
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According to the film's introduction, Indonesian cinema hasn't produced martial arts flicks in awhile. I can't speak to that, but if it hasn't it really should begin again and Merantau was a great first step. The story (such as it is) is nothing special. Boy leaves home to go to the big city as a rite of passage, it doesn't go as planned. Boy meets girl, boy rescues girl. Boy rescues girl again. And again. She even has a spunky street-urchin of a little brother to sweeten the pot.
But really, who cares about the plot, we ant some action right? Right. And we get it, with some top-notch choreography, too. As an American audience, you get the impression that you might have seen some of these fights before, but then something happens and you realize that while you're not watching something completely new, you are seeing something that's been re-imagined and remastered. The lead, who in and of himself is something of a cinema-worthy story, carries the weight of the action-hero while still looking all of sixteen years old. I hope like hell he gets more work, I think he's worth it.
And because parts of this movie feel cribbed from the Van Damme/Segal heydays, you have some truly over-the-top villains to contend with. And I mean over-the-top in the sense that half the time you're laughing, the rest of the time they're so depraved and despicable you want a piece of them, too. Especially worth noting is the middleman who is a pimp/strip club owner/stooge who would probably be just as at home in a slapstick comedy – hell, at times he practically was, but kudos to him anyway.
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