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Run time:
122 min.
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Canda/UK
Advance Screening
Taking a step back from the studio system, the great
fantasist Terry Gilliam has created a surprisingly
disturbing and emotional real-world fairy tale, a picture
of childhood painted by a master craftsman but filled
with all the innocence of its youthful lead. After her
mother dies from a heroin overdose, Jeliza-Rose is taken
from the big city to a rural farmhouse by her father. As
she tries to settle into a new life in a house her father
had purchased for his now-deceased mother, Jeliza-
Rose’s attempts to deal with what’s happened result in
increasingly odd behavior, as she begins to communicate
mainly with her bodiless Barbie doll heads and Dell, a
neighborhood woman who always wears a beekeeper’s
veil. As she attempts to find her place in her new home
and the vicious world in general, the young girl slips
more and more deeply into her much-needed world of
make-believe. It’s been said that Tideland is Gilliam’s
least commercial film to date, and fans will note that this
is a pretty strong statement. Still, the dizzying mixture of
taboo themes and arresting visuals could easily render
this statement true. As always, the story revolves around
the not-so-smooth merging between fantasy and reality,
but this is the first time that the filmmaker has pulled off
his art with such stark lucidity.
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